WAVES FILM BAZAAR

This year onwards, the Film Bazaar is being rechristened to WAVES FILM BAZAAR (WFB).

Waves Film Bazaar earlier known as Film Bazaar was initiated by the National Film Development Corporation (NFDC) in 2007 and has evolved into South Asia’s global film market. It is organized every year alongside the prestigious International Film Festival of India (IFFI) in Goa. It is a converging point for South Asian and international filmmakers and film producers, sales agents, and festival programmers for potential creative and financial collaboration. -ADN-368- I-m having a great time .720p-DS-.mp4

The 19th Edition of the market will be held in Goa, from November 20 - 24, 2025. The file name itself reads like a tiny

Click here for Branding / Sponsorship opportunities at Waves Film Bazaar. It might be a catalog code, a camera’s

-adn-368- I-m Having A Great Time .720p-ds-.mp4 ((exclusive)) (2027)

The file name itself reads like a tiny mystery: an encoded headline, a cheerful sentence, and a technical tag all jammed together. From those fragments you can build a short-feel piece that probes who recorded it, why, and what the moment captured says about connection, memory, and the digital traces we leave behind. The first frame “-ADN-368- I’m having a great time .720p-DS-.mp4” begins with an index: ADN-368. It might be a catalog code, a camera’s autogenerated label, or a curator’s archive tag. The sterile prefix anchors the clip in systems—workflows, archives, or someone’s personal filing habit—while the human language that follows breaks through: “I’m having a great time.” That line converts the file from mere data to a lived instant, a voice recorded mid-sentence, laughing perhaps, or shouting to be heard over music.

The file name itself reads like a tiny mystery: an encoded headline, a cheerful sentence, and a technical tag all jammed together. From those fragments you can build a short-feel piece that probes who recorded it, why, and what the moment captured says about connection, memory, and the digital traces we leave behind. The first frame “-ADN-368- I’m having a great time .720p-DS-.mp4” begins with an index: ADN-368. It might be a catalog code, a camera’s autogenerated label, or a curator’s archive tag. The sterile prefix anchors the clip in systems—workflows, archives, or someone’s personal filing habit—while the human language that follows breaks through: “I’m having a great time.” That line converts the file from mere data to a lived instant, a voice recorded mid-sentence, laughing perhaps, or shouting to be heard over music.

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